![]() A person entranced in the narrative of a powerful story can just as easily be distracted from it when they become interrupted by a “hiss,” some wind noise, or sound drop off. We acknowledge this and try to support all news organizations with varying budgets by listing devices from cheap to expensive, and noting both the benefits and flaws of each device.įurthermore, we believe quality enhances the ability to tell a story in such a way that the viewer forgets about the medium they’re consuming. We realize cost is a major concern for newsrooms in these times. Trends in audio recording devices are also following suit. ![]() Now you can purchase an entry level kit for about $600. Some of the first SLR digital still photo cameras were over $10,000. A broadcast quality 3-chip video camera would have cost tens of thousands of dollars a decade ago now it can be purchased for under $2,000. This argument does have some validity in an age where services like YouTube deliver sub par quality video to an audience willing to accept its flaws.įortunately, the market of cheap equipment that produces high quality content is growing each day. There is a train of thought that cheap equipment, as long as it does the job, is “good enough for the Web” (a common phrase used in newsrooms). In the world of multimedia storytelling, a debate is raging over the importance of quality of content on the Web. ![]() Can the batteries be removed? What type of batteries does it take? Can they be easily obtained? What is the power consumption of the device? Will it last a long time on a single set of batteries/charge? Power – Probably one of the most overlooked attributes of audio recorders.Some of these audio recorders are as expensive as a digital SLR camera, and repairs are on par with high-end electronic devices as well. Buy a recorder that will allow you to capture uncompressed audio (.wav. This not only brings down the quality during the capture process, but when you edit that audio and then re-compressed it, the audio is further degraded in the finished project. Cheap audio recorders will compress all of the audio it captures. Format – There are two types of audio files: compressed and uncompressed.Does the recorder have XLR (professional grade) input, Tip-Ring Sleeve (TRS) input or just a mini jack? Quality – Does the recorder give you the ability to use an external microphone? Very few recorders have built-in microphones that are useful for field reporting.You must also weigh in maintenance and repair costs. With prices too high, bulk purchases can become very costly. ![]()
0 Comments
Leave a Reply. |